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Slow hot summer doldrums

It’s been a bit longer than I’d like for this post. But It’s been a hot wet, take it easy kind of summer break.

But it’s time for school season to kick off and that means a return to a bit of routine, so I’m looking forward to a bit more structured weekends and getting back in front of the canvas again.

I’m fascinated by a recurring theme I’ve noticed myself exploring subconsciously, so I’m do some exploration and hopefully get some new paintings out of it.. and I’ve got to get the Undine III painting’s sketches & comps a bit further along.

On the website front, the performance has been really really really bad so I’m moving it this weekend hopefully. Lots of posts and configurations to move, but I expect it to not be too bad.

But It’s so bad on the Hostgator hosting account that even this little post has taken over an hour due to loading and image failures etc…

Beyond Exhaustion/ no more spoons/ determination, poses that show the contrast between the mental drives at conflict have really been speaking to me.
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Walking Backwards

Also known as backtracking. One of the benefits of understanding the process is that you know where you are in it, where you’ve been and where you’re going. This makes it easier to evaluate a piece at various stages of work.

And this week has been spent walking down a lot of dead ends, and then going back a step or two in the process to fix problems that are keeping the Undine I image from going as smoothly as I had hoped. On the other hand knowing when to stop, and backtrack and fix underlying issues instead of blundering ahead and hoping that the problems will go away by themself, is absolutely going to result in a stronger final image.

On a related note, a couple of us local artists tried to get some community involvement and see if we could get together and meet some other local creatives. But I guess fakebook just ate all my attempts at getting more people involved, which is a shame because it would be nice to see if we could develop a local artist community. So a not so fun step back there.. but one of them did mention another nearby town’s artist community so I guess that something.

Anyway I’m hoping to get the final drawing of Undine I done this week as well as the frame final glazes for Undine II.

Onward we journey.

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Finishing thoughts

I find that the end of a canvas is almost as hard as the beginning. When you start a piece there’s the fear of the blank canvas, and at the other end, it’s the end of the canvas, the last stroke, sticking a fork in it, calling it done.

It’s not a loud panic inducing fear, its more like the quiet fear of stepping away from it and saying it’s the best that I can do with this at this time. Pre-separation anxiety you could call it.

But then again, maybe it’s just me. Loads of artists don’t have a problem going back and reworking an old painting. I just can’t get myself to do that. When I finish a piece it’s a snapshot of where I am in a moment of time and what I’m trying to say at that point in time, and going back and re-working it well… fells wrongish.

(but boy is it tempting sometimes.. there’s some paintings that I know I could do it so much better now.)

Anyway, it took a bit but I wrapped up the Undine painting, and now I can’t wait to go and get started on the next one.

Good, but stressful week, all things considered.